Adaptations include orchestral reductions (The Clever One by Carl Orff (17 Players), The Perfect American by Philip Glass), the creation of new stories within works (Maria de Buenos Aires), revised or new stories (Winterreise, The Fairy Queen, The Diary of Anne Frank), and new reduced stage versions (Macbeth by Ernest Bloch - 110 minute one act for 7 singers, Medea by Luigi Cherubini - 95 minute one act for 7 singers).
Ever-resourceful LBO head Andreas Mitisek -- multi-tasking as stage director and production designer -- took the company to yet another bizarre location, a room within the World Cruise Center in San Pedro close by the Vincent Thomas Bridge. He placed the audience on two sets of risers facing each other, with a long wooden table between them doubling as a stage within a few feet of the front rows. If the intention was to make everyone feel the inward-looking claustrophobia of this setting of Shakespeare’s play, it succeeded. All made a gripping, close-up case, in Bloch’s 1950 English translation, for a rare piece that deserves to be heard.