Adaptations include orchestral reductions (The Clever One by Carl Orff (17 Players), The Perfect American by Philip Glass), the creation of new stories within works (Maria de Buenos Aires), revised or new stories (Winterreise, The Fairy Queen, The Diary of Anne Frank), and new reduced stage versions (Macbeth by Ernest Bloch - 110 minute one act for 7 singers, Medea by Luigi Cherubini - 95 minute one act for 7 singers).
Fortunately,... Andreas Mitisek came up with the idea of moving the plot to contemporary Las Vegas, making Baron Mirko Zeta, the conniving Pontevedrin ambassador to France, a Russian émigré entrepreneur who owns a cash-strapped, third-rate night club off the glittering Las Vegas strip. Turning Lehár’s libidinous aristocrats from 1905 Paris into striving, pompous émigré Russians infatuated with capitalism’s lure and the sexual freedom of today’s Vegas worked splendidly.
I admired his pole-dancing grisettes and the S&M overtones in the trio by the black-vested sopranos in the last act.