Adaptations include orchestral reductions (The Clever One by Carl Orff (17 Players), The Perfect American by Philip Glass), the creation of new stories within works (Maria de Buenos Aires), revised or new stories (Winterreise, The Fairy Queen, The Diary of Anne Frank), and new reduced stage versions (Macbeth by Ernest Bloch - 110 minute one act for 7 singers, Medea by Luigi Cherubini - 95 minute one act for 7 singers).
Mitisek then takes apart the opera, adapting Purcell’s music to fit new circumstances and a completely new theatrical structure. His cutup rearranges, revises, reorders and reduces Purcell’s score. The occasional Dryden line is retained, but much of the sung text is new. Five acts become a single uninterrupted one under two hours.
For his part, Mitisek leads a musically excellent performance and, in yet another of his hats, contributes effectively goofy video imagery.