...a powerful return to the battlefield. The decision to place the action of “Fallujah” on a raised stage inside an Army National Guard Armory makes a powerful statement. The action is bathed in projections that include photographs taken by Marines in Fallujah and nightmarish artwork created specifically for the production by a pair of PTSD-suffering Iraq war vets — Jon Harguindeguy and Michael Hebert. The brilliantly executed set design and projections are the creation of Andreas Mitisek, lighting designer Dan Weingarten and video artist Hana S. Kim.